Our work speaks for itselfI really believe in the flow. I’ve been told to specialize all my life. But the fact is, I actually work a single art, or maybe two: the art of poetry and the art of theater. It really is all the same thing.
LA LUNE S’EN VA
The single from Inara George’s upcoming album:
Songs of Douglass and Littell
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LIBRETTIST - ZÜRICH OPERA PREMIER 2022 — GIRL WITH A PEARL EARRING
Libretto for an opera based on Tracy Chevalier novel “Girl With A Pearl Earring” for composer Stefan Wirth.
LYRICIST - CURIOSITY CABINET NYC 2017
Lyrics for composer Daniel Felsenfeld, “Verbotenwortlied”
LIBRETTIST/CONCEIVER - LOS ANGELES OPERA — 2016
Supplied concept and treatment for an immersive opera project based on the Peter Beagle short story “Come, Lady Death”.
WRITER-PERFORMER-DIRECTOR - BOOTLEG THEATER —2012
Double bill of “Billy The Kid And What He Did” and “Broad Daylight”.
WRITER-PERFORMER - HIGHWAYS PERFORMANCE SPACE, SANTA MONICA CA
— 2012
“I Asked My Body What It Remembered: A Disco Memoir”.
LYRICIST — ALOUD/LOS ANGELES PUBLIC LIBRARY- 2011
Texts for “Dark Carols”, a song-cycle for composer Peter Golub, commissioned by Aloud.
LYRICIST - INTERNATIONAL ORANGE CHORALE OF SAN FRANCISCO — 2011
Text for composer Jeremy Faust’s “Issa”.Description text goes here
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LIBRETTIST - ZÜRICH OPERA PREMIER 2022 — GIRL WITH A PEARL EARRING
Libretto for an opera based on Tracy Chevalier novel “Girl With A Pearl Earring” for composer Stefan Wirth.
LYRICIST - CURIOSITY CABINET NYC 2017
Lyrics for composer Daniel Felsenfeld, “Verbotenwortlied”
LIBRETTIST/CONCEIVER - LOS ANGELES OPERA — 2016
Supplied concept and treatment for an immersive opera project based on the Peter Beagle short story “Come, Lady Death”.
WRITER-PERFORMER-DIRECTOR - BOOTLEG THEATER —2012
Double bill of “Billy The Kid And What He Did” and “Broad Daylight”.
WRITER-PERFORMER - HIGHWAYS PERFORMANCE SPACE, SANTA MONICA CA
— 2012
“I Asked My Body What It Remembered: A Disco Memoir”.
LYRICIST — ALOUD/LOS ANGELES PUBLIC LIBRARY- 2011
Texts for “Dark Carols”, a song-cycle for composer Peter Golub, commissioned by Aloud.
LYRICIST - INTERNATIONAL ORANGE CHORALE OF SAN FRANCISCO — 2011
Text for composer Jeremy Faust’s “Issa”.
LIBRETTIST - NEW YORK CITY OPERA - VOX FESTIVAL — 2009
Original libretto for Anne LeBaron’s “Crescent City.”
LIBRETTIST - SONOMA CITY OPERA — 2006
Original libretto for Libby Larsen’s Jack London opera, “Every Man Jack.”
TRANSLATOR/PERFORMER - EOS ORCHESTRA NYC — 2001
Translated and performed all the parts (narration in English, dialogues in original French) in Stravinsky’s “L’Histoire d’un Soldat” under the direction of Christopher Alden.
LYRICIST - JAMES SCHWABACHER COMMISSION — 2000
Text for “Eve-Song”, a song-cycle for composer Jake Heggie. First performance: February 27, 2000 at Old First Church, San Francisco; Kristin Clayton, soprano; Jake Heggie, pianist.
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LIBRETTIST - WALT DISNEY CO/NEW YORK PHILHARMONIC — 1999
Commissioned by Disney and Michael Eisner for the New York Philharmonic's Millennium Celebration, supplied the text for composer Michael Torke’s “Four Seasons”, an oratorio for chorus and orchestra.
LIBRETTIST - SAN FRANCISCO OPERA — 1998
Libretto from Tennessee Williams’ “A Streetcar Named Desire” for composer André Previn.
LYRICIST - PACIFIC SYMPHONY — 1998
Text for composer Frank Ticheli’s song cycle for soprano and orchestra, “An American Dream.”
LIBRETTIST - SONOMA CITY OPERA — 1996
Original libretto of “The Dreamers” for composer David Conte.
LIBRETTIST -1996
Sons of Noah, a cantata for soprano, four guitars and four bassoons with music by Stephen Hartke, to be performed at the end of 1996 in Los Angeles.
WRITER, DIRECTOR, PERFORMER, PRODUCER - 1996
The Wandering Whore, a musical about the criminal sexual underworld of the 18th century, with music by Eliot Douglass.Opened Sept. 13, 1996 for a four week run at the American Center for Musical Theatre in Hollywood, having been previewed with a grant from the Audrey Skirball Kenis Foundation at their Common Ground Festival at UCLA, June 1997... Pick of the Week, LA Weekly 9/27-10/3/96. Critic’s Choice, Drama-Logue, 9/26-10/2/96. Opens June 13, 1997 at Playwrights’ Arena. Re-opened June 13, 1997, at the Playwright’s Arena.
LIBRETTIST/LYRICIST - 1995
NakedMan, a song cycle commissioned by the San Francisco Gay Men’s Chorus, with music by Robert Seeley.
Premiered June 8, 1995, Davies Hall, San Francisco. Also performed at the National Gay Chorus convention in Tampa, FL in July. CD produced, June.
LIBRETTIST — AMERICAN GUILD OF ORGANISTS FOR THE DALLAS CONVENTION - 1994
Original libretto “The Wise Women” for composer Conrad Susa.
LIBRETTIST -1994
The Dangerous Liaisons, an opera commissioned by the San Francisco Opera, based on the original novel by Choderlos de Laclos, with music by Conrad Susa. Premiered September, 1994, San Francisco Opera. Subsequently broadcast on PBS.
LIBRETTIST -1994
The Wise Women, a play with music commissioned by the American Guild of Organists, with music by Conrad Susa.
Premiered December, 1994, Dallas. Further productions have since occured regularly.
WRITER/PERFORMER?DIRECTOR - 1994
No Miracle: a consolation, a musical about the AIDS crisis, with music by Eliot Douglass and Eric Cunningham
November, 1994, Highways Performance Space, Santa Monica. Portions subsequently played on KCRW FM, Los Angeles.
Previously performed (in a shorter version) at several Los Angeles area locations from 1990.
TRANSLATOR/ACTOR - 1994
Educated Women and The Improvisation at Versailles, from Moliere’s Les Femmes Savantes and L’Impromptu de Versailles, commissioned by the Theatricum Botanicum, Topanga, CA.
Summer 1994. Also played Trissotin in Educated Women under the direction of Ellen Geer.
WRITER/DIRECTOR/PERFORMER -1993
The Night Market, a musical with music by Eliot Douglass June, 1993, Highways Performance Space, Santa Monica.
SINGER/SONGWRITER - 1993 - 1998
Cabaret act with original songs by Littell and Douglass, occasional music by Eric Cunningham, and the odd out of the way old standard.
Various venues around the Los Angeles area.